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Facebook users click here. Slumdog Millionaire - The perfectly crafted movie that I didn't really enjoy.
I know what you're thinking. How can you say that you didn't like Slumdog Millionaire? It was the best picture of the year! Actually, what you're probably saying is, "Nobody reads your blog anymore. Your opinions are irrelevant. And you've totally missed the boat in writing about Slumdog Millionaire." You are right about that I did miss the boat. Which points out an often overlooked flaw in the marketing of movies. What I call, "The Checklist." But first, let me quell the internet by elaborating on my opinion of Slumdog Millionaire.
I like trivia. I've always been a fan of Who Wants to be a Millionaire. I wouldn't necessarily say that I am a fan of Bollywood. But I'd attribute that to more of my accessibility to Bollywood movies growing up. I like foreign films, weird films, independent films, etc. Slumdog Millionaire it would seem, was specifically crafted for someone like me. Apparently, it was specifically crafted for everybody due to its almost universal acceptance. So why didn't enjoy it? The key word is "enjoy." Slumdog Millionaire was indeed a very good movie. Under normal circumstances, I would have extremely enjoyed watching it. I liked Slumdog Millionaire. I liked the storytelling, the writing, the color of the film, etc. The reason that I didn't enjoy it was because I missed the boat. I should have been the first person to see Slumdog Millionaire because it is the kind of movie for which you should have no knowledge, and no expectation of during your first viewing.
This brings me to what I call "The Checklist." If you are aware of the show "Who Wants to be a Millionaire" then Slumdog Millionaire is already a "checklist" movie. "Who Wants to be a Millionaire" follows a specific format. There are a set number of questions and lifelines. If a movie is going to be made based on this format, then the audience already has a expectation of the pace of the film. This could have completely sunk the movie. However, the fast pace of the storytelling, the velocity of the editing, and the exploration of the timeline of the story remedy this problem. At least, it would remedy it for the unspoiled first time viewer.
I have a problem that should be an advantage. I remember stuff that most people forget. I remember it with little or no repetition. Now, when its time to remember where I put my phone or my wallet, I've already forgotten. But I remember a meaningless conversation that you and I had 4 years ago during lunch almost verbatim. It was this ability of mine to remember the mundane that lessened my enjoyment of Slumdog Millionaire.
Before viewing Slumdog Millionaire this week, I had the following knowledge of the film. Keep in mind that I did not seek out information about Slumdog Millionaire before viewing it. I these are just things that I knew from second hand conversation:
1. A love story about a young Indian couple.
2. The protagonist gets on India's "Who Wants to be a Millionaire."
3. Story told through a series of flashbacks.
4. Each flashback explains an answer to one of Millionaire questions.
5. The host of "Who Wants to be a Millionaire" was a "jerk."
6. The film features music by M.I.A.
7. The movie ends with a musical number.
Here is an additional list of presumptions that I had about Slumdog Millionaire:
1. Being an "Indian" film, or at least a "Bollywood" homage, the film would attempt to adhere to certain Indian film-making standards (modesty, rarely show characters actually kiss, etc.)
2. The protagonist would answer all of the Millionaire questions and use all of his lifelines.
3. The film would focus on the disparity of the Indian people.
Since my brain works the way that it does, I had all of these ideas in my head during the viewing of the film. Basically, I had a long checklist of things that I knew were going to occur over the course of the film. So where was the anticipation? Where was the surprise? Had I viewed this film with no preconceptions, I would likely have extremely enjoyed it. But as it was, I was just waiting to check off each moment that I knew was coming.
As I mentioned before, within the structure of the film, Slumdog Millionaire overcomes the problem of being a "Checklist" movie for the first time viewer. But as for my experience, it didn't offer the suspense and surprise that makes movies enjoyable for me. Typically, my favorite moments in a movie are the moments that were completely unexpected, or scenes that I had did not anticipate at all. For Slumdog Millionaire, there were very few moments that I did not expect. For instance, I did not know about the protagonist having a brother who became corrupted by money, but that idea alone wasn't enough to offset the volume of expectations that I already had for Slumdog Millionaire. After that, I'd have to say that the only other moment in Slumdog Millionaire that I found interesting and unexpected was the interesting and likely coincidental link that Slumdog Millionaire had to Finding Forrester.
In Slumdog Millionaire, Jamal works at somewhat stereotypical Indian call center that provides service for Scotland. During a call, Jamal tells the woman on the phone that he lives down the street near Sean Connery's flat. In finding Forrester, the main character who also happens to be named Jamal spends time with Sean Connery's reclusive character, in his apartment. I guess I'm the only person who would make that kind of connection.
I know what you're thinking. How can you say that you didn't like Slumdog Millionaire? It was the best picture of the year! Actually, what you're probably saying is, "Nobody reads your blog anymore. Your opinions are irrelevant. And you've totally missed the boat in writing about Slumdog Millionaire." You are right about that I did miss the boat. Which points out an often overlooked flaw in the marketing of movies. What I call, "The Checklist." But first, let me quell the internet by elaborating on my opinion of Slumdog Millionaire.
I like trivia. I've always been a fan of Who Wants to be a Millionaire. I wouldn't necessarily say that I am a fan of Bollywood. But I'd attribute that to more of my accessibility to Bollywood movies growing up. I like foreign films, weird films, independent films, etc. Slumdog Millionaire it would seem, was specifically crafted for someone like me. Apparently, it was specifically crafted for everybody due to its almost universal acceptance. So why didn't enjoy it? The key word is "enjoy." Slumdog Millionaire was indeed a very good movie. Under normal circumstances, I would have extremely enjoyed watching it. I liked Slumdog Millionaire. I liked the storytelling, the writing, the color of the film, etc. The reason that I didn't enjoy it was because I missed the boat. I should have been the first person to see Slumdog Millionaire because it is the kind of movie for which you should have no knowledge, and no expectation of during your first viewing.
This brings me to what I call "The Checklist." If you are aware of the show "Who Wants to be a Millionaire" then Slumdog Millionaire is already a "checklist" movie. "Who Wants to be a Millionaire" follows a specific format. There are a set number of questions and lifelines. If a movie is going to be made based on this format, then the audience already has a expectation of the pace of the film. This could have completely sunk the movie. However, the fast pace of the storytelling, the velocity of the editing, and the exploration of the timeline of the story remedy this problem. At least, it would remedy it for the unspoiled first time viewer.
I have a problem that should be an advantage. I remember stuff that most people forget. I remember it with little or no repetition. Now, when its time to remember where I put my phone or my wallet, I've already forgotten. But I remember a meaningless conversation that you and I had 4 years ago during lunch almost verbatim. It was this ability of mine to remember the mundane that lessened my enjoyment of Slumdog Millionaire.
Before viewing Slumdog Millionaire this week, I had the following knowledge of the film. Keep in mind that I did not seek out information about Slumdog Millionaire before viewing it. I these are just things that I knew from second hand conversation:
1. A love story about a young Indian couple.
2. The protagonist gets on India's "Who Wants to be a Millionaire."
3. Story told through a series of flashbacks.
4. Each flashback explains an answer to one of Millionaire questions.
5. The host of "Who Wants to be a Millionaire" was a "jerk."
6. The film features music by M.I.A.
7. The movie ends with a musical number.
Here is an additional list of presumptions that I had about Slumdog Millionaire:
1. Being an "Indian" film, or at least a "Bollywood" homage, the film would attempt to adhere to certain Indian film-making standards (modesty, rarely show characters actually kiss, etc.)
2. The protagonist would answer all of the Millionaire questions and use all of his lifelines.
3. The film would focus on the disparity of the Indian people.
Since my brain works the way that it does, I had all of these ideas in my head during the viewing of the film. Basically, I had a long checklist of things that I knew were going to occur over the course of the film. So where was the anticipation? Where was the surprise? Had I viewed this film with no preconceptions, I would likely have extremely enjoyed it. But as it was, I was just waiting to check off each moment that I knew was coming.
As I mentioned before, within the structure of the film, Slumdog Millionaire overcomes the problem of being a "Checklist" movie for the first time viewer. But as for my experience, it didn't offer the suspense and surprise that makes movies enjoyable for me. Typically, my favorite moments in a movie are the moments that were completely unexpected, or scenes that I had did not anticipate at all. For Slumdog Millionaire, there were very few moments that I did not expect. For instance, I did not know about the protagonist having a brother who became corrupted by money, but that idea alone wasn't enough to offset the volume of expectations that I already had for Slumdog Millionaire. After that, I'd have to say that the only other moment in Slumdog Millionaire that I found interesting and unexpected was the interesting and likely coincidental link that Slumdog Millionaire had to Finding Forrester.
In Slumdog Millionaire, Jamal works at somewhat stereotypical Indian call center that provides service for Scotland. During a call, Jamal tells the woman on the phone that he lives down the street near Sean Connery's flat. In finding Forrester, the main character who also happens to be named Jamal spends time with Sean Connery's reclusive character, in his apartment. I guess I'm the only person who would make that kind of connection.






